With a slew of superheroes getting the big screen treatment in recent years, comic books are gaining even more cachet as a cultural touchstone. Big-budget blockbusters and critically acclaimed TV spin-offs have helped to spawn a new generation of comic book fans and reignited the spark in former readers, while alternative titles bring in fans who aren’t the superhero type (see “Picture the Possibilities,” LJ 6/15/16, p. 30ff.). Meanwhile, sf has long since gained mainstream acceptance without losing its ability to stir deep devotion (witness the plethora of Doctor Who merchandise), and anime and manga are reaching ever-larger portions of the American populace, particularly among teens and new adults. Board and card games, too, are seeing a dramatic resurgence in popularity alongside their high-tech counterparts, and once under-the-radar fanfiction and fan art are now far more widely known and accepted.
The seven foot tall stacks at Cornell University’s newest library are kept cool and dry, perfect for cardigan wearing. But that’s where the sense of familiarity might end for many LJ readers, as the space contains no books, and offers no borrowing privileges. The brainchild of Susan Henry and Kathryn Boor, the former and current deans of the university’s College of Agriculture and Life Science (CALS), Cornell’s wine library was part of a $105 million renovation of the campus’ Stocking Hall. The new space will store wines used for teaching in the school’s Viticulture and Enology program.
For a primer on managing disruptive patrons, knowing when to get law enforcement involved, and how to form the relationships that make that call easier, we spoke to Steve Albrecht. A retired police officer and security consultant, Albrecht is the author of Library Security: Better Communication, Safer Facilities (ALA Editions). (For more from Albrecht, see Playing It Safe: Author Steve Albrecht Tackles Security Measures for Libraries.)
At Aberystwyth University in the United Kingdom, users will soon have a novel means of consulting the catalog at the college’s Hugh Owen Library. Rather than typing their request, or asking a reference librarian, students can be led to the title they’re looking for by a robot with access to all of the library’s holdings.
So you’ve established an institutional repository, where users can put papers, theses, and experimental data on file, making it easily accessible to the larger world. While getting an institutional repository up and running is no small feat, it’s only the first step. To make the most of this tool, you have to fill it, and that means getting ongoing participation from faculty and students.
The library board in the Chicago suburb of Downers Grove has appointed a new board member, attorney Arthur Jaros, Jr., in spite of controversy over his leading role in challenging a book in the supplementary reading curriculum of a local school district more than a decade ago. In 1999, Jaros and other members of the […]
Every library has a sci-fi section, but not many can compete with the collection of speculative fiction that has been growing steadily at the University of Iowa (UI) in recent years. While the UI Libraries boast an impressive collection of works by notable authors in the genre, it’s not the focus of the UI’s universe-spanning sci-fi collections.
When Michigan’s Grand Valley State University (GSVU) built a new library a few years ago, Dean of Libraries Lee Van Orsdel wanted staff and stakeholders alike to throw out the rulebook on library design. The result was an acclaimed space that has been a hit with GVSU students, driving more traffic to the library and changing how students use it—changes that in turn have even influenced other industries.