A new era has begun for the Library of Congress (LC), and if Carla Hayden’s first gestures in her role as Librarian of Congress signal sustained momentum to come, the LC of the future might just live up to the hopes of so many. Since her swearing in, on September 14, Hayden has set a compelling tone, one that is purposeful, inclusive, and infused with an important balance between the awesome responsibility of, and a sense of joy in, the work to come.
Libraries and LEGO have gone together for ages, but libraries made of LEGO bricks are much more rare. So when I received a box containing a little library constructed of LEGO bricks, it got my attention. That alone is a win for any marketing initiative—getting someone to tune in. Good marketing is hard to do, and harder for organizations such as libraries that do so much already with limited resources. When it’s done right, however, both the community and the library benefit.
I wrote this in a small library in the town of Kyneton, Australia. As many library fans do, I visit libraries wherever I go—stopping in for a look-see, lingering to use the space and services, and sometimes getting a full tour. It’s always valuable—and often inspiring. This was the case when I recently visited Australia on a family trip, and I experienced a handful of libraries small and large along the way.
On Leap Day this past February, I gave myself the gift of a Citi Bike membership. In New York City, where Library Journal’s office is located, this bike-sharing service hit the streets in 2013 and has continued to gain traction ever since. Like many, it has had growing pains, but it now touts over 100,000 annual members, and this summer it celebrated a record of 56,000 trips in one day. I ride for part of my commute, replacing what would be an underground subway leg with three-plus miles on the surface. This has given New York back to me, reinvigorating my relationship with the city and allowing me to witness its changeable beauty.
The struggle to improve the affinity between library schools and applied librarianship has just gained a powerful ally. In June, the University of Washington’s Information School (iSchool) announced the appointment of its first Distinguished Practitioner in Residence, Susan Hildreth. She is one of the most experienced and visionary librarians in our ranks, having served stints as a library director, state librarian, head of consortia, and, most notably, director of the Institute of Museum and Library Services (IMLS).
I hadn’t heard of the Diversity Council of Australia’s #WordsAtWork campaign until my feed lit up with its call to remove the word guys from workplace use. The comments express conflicting perspectives on whether it was on target or over the top in terms of political correctness. While I basically agree with the council—I’d already been working to break my habit of using guys when addressing colleagues at LJ and School Library Journal (SLJ), a team predominantly made up of women—the full-throated response made me reflect on how challenging and necessary such conversations are.
This year, the American Library Association (ALA) has the opportunity to make its annual conference more meaningful than ever. While it will be held among the artifice of Orlando’s tourist draws, the meeting will be full of dialog about very real issues, driven by the cultural moment and determination to move the needle on what my colleague John N. Berry III would call the “accursed questions.” Those questions continue to press, and I am hopeful this ALA will live up to its promise to help the field effectively grapple with the challenges ahead.
At a high energy midtown New York gala, the UJA-Federation of New York honored Steve Potash, president and CEO of leading library ebook distributor OverDrive, Inc., and Stuart S. Applebaum, emeritus executive vice president of Corporate Communications at Penguin Random House. UJA’s annual Publishing Division Dinner, held May 24, marked the first time the organization has acknowledged someone entirely dedicated to digital content with its celebration of Potash’s contributions.
Paper Cloud is something to see, though it’s actually impossible to see it all at once. This “aerial sculpture” by George Peters and Melanie Walker has resonated with me since I saw it in 2014 during a tour of several facilities in the Salt Lake County Libraries (SLCL) system. The installation flies, floats, and wends its way through the West Jordan Library and the library’s Viridian Event Center, elevating the spaces and the people using them.