When LJ Mover & Shaker Willie Miller first got hired at Indiana University-Purdue University Indianapolis as the Informatics and Journalism Librarian in 2010, he was that rare commodity: a young person with an ear to the ground on social media and a taste for library science.
The fifth annual Designing Libraries for the 21st Century conference, held at the University of Calgary in Calgary, Alberta, spotlighted “Innovations with Impact,” and featured voices from the design, library, and education worlds. The conference brought together about 250 practitioners from across the world.
At the beginning of the 2016 academic year Ann Marie Stock, professor of Hispanic studies and film and media studies at the College of William & Mary (W&M), Williamsburg, VA, stepped into her new role as the inaugural W&M Libraries faculty scholar. Stock will be embedded in the library—working out of a “gorgeous” renovated former storage room across from the Reeder Media Center— to collaborate and forge new alliances with students, faculty, and librarians.
The Library of Congress (LC) sparked debate recently when it announced that it would no longer use the term illegal aliens as a subject heading. The library maintains that the phrase has become “pejorative,” a sentiment echoed by social justice projects such as Race Forward’s Drop the I-Word campaign. However, Republican lawmakers who introduced legislation to force the library to keep the term argue that the LC’s subject headings (LCSH) should be consistent with U.S. Code.
The University of Michigan Library (UM) has launched Deep Blue Data, an open repository for sharing and archiving large datasets generated by UM researchers. Soft launched in February and officially announced in September, Deep Blue Data complements the university’s long-running institutional repository, Deep Blue, and is part of a suite of research data services that the library has been developing for UM faculty and students.
Academic database and streaming media publisher Alexander Street is beta testing the Open Music Library (OML), a new online resource that will eschew database paywalls, enabling non-subscribers to discover and use high-quality open access and public domain content from contributors such as the Library of Congress (LC) and the British Library (BL), while offering subscribers a seamless experience discovering and using free and for-fee content together.
This year’s Charleston Conference, with its on-the-nose subtitle of “Roll with the Times or the Times Roll Over You,” will return as always to the Francis Marion Hotel (and surrounding venues) October 31–November 5. This year’s schedule (still tentative at press time) naturally hits many of the topics of perennial interest to librarians, particularly academic ones: discovery, the Big Journal Deal and its frequently forecast demise, working with vendors, and ebook acquisition models. Newer returnees such as MOOCs, open educational resources, assessment, the role of the subject specialist and/or department liaison, and research data management also make appearances.
Many academic repositories contain a vast amount of material beyond the requisite theses and dissertations. Those that do ingest them often contain such documents dating back to the 1800s or, in some cases, earlier. That might not sound like something to get too excited about. But, do you know who does get enthusiastic about that? The web surfer who stumbles across something her beloved great-great-grandfather wrote in 1886, or his father presented at a conference in 1970, or a whole host of other legacy material that can be found in an institutional repository.
On August 12, the Harvard Library Office for Scholarly Communication published a comprehensive literature review detailing strategies for digitizing copyright-protected works for which rights holders cannot be found or contacted—colloquially called “orphan works.” This 112-page peer-reviewed report, “Digitizing Orphan Works: Legal Strategies to Reduce Risks for Open Access to Copyrighted Orphan Works,” is the culmination of the 2015–16 Orphan-Works Project at Harvard.