In the latest of our In-Depth Interviews with Library Journal Movers & Shakers from academic libraries, we caught up with Omar Poler, an Associate Outreach Specialist at the University of Wisconsin-Madison’s School of Library and Information Studies (SLIS). Omar Poler has a deep and personal connection to the American Indian community that has been enriched by his library work and motivated him to form the Tribal Libraries, Archives, and Museums (TLAM) Project, one of the few projects to incorporate American Indian topics into LIS education.
The animated television show South Park made a business of touching nerves, but even its creators reportedly did not expect the furor that roared forth over their Underpants Gnomes episode satirizing common workplace beliefs and practices. The Underpants Gnomes’ business plan lives on (slightly altered) in web culture as a shorthand for inadequate, failure-prone product or service planning. I spent my entire library career wallowing in Step 2.
In late June, a minor brouhaha erupted when the library at the University of Arkansas suspended reporters from the Washington Free Beacon, an online newspaper, from using its special collections. The reason given by library administrators was that on multiple occasions the newspaper’s reporters had published content from those collections without asking permission, as library policy requires. Much has been made in the right-wing press about the politics supposedly surrounding this conflict. I want to focus on a different issue: the practice of making patrons request library permission before republishing content drawn from documents in our special collections.
If Confusion Helps Students Learn, Shouldn’t They Be Information Literate By Now? | From the Bell Tower
Florida’s newest public university—Florida Polytechnic University (FPU)—is so new it doesn’t even have accreditation yet. Its mission is to educate students in the STEM fields, and Chief Information Officer Tom Hull describes it as part of a future “Silicon Valley East” between Orlando and Tampa. FPU features a lot of innovative, not to say controversial, departures from tradition, including a no-tenure model for its 26 newly hired professors and a library without physical books.
Last year, Walt Crawford self-published a book entitled The Big Deal and the Damage Done (which I wrote about here). In it, he analyzed statistics for academic library budgets and showed that Big Deals for serials were gradually taking over many library budgets as serial expenditures rose significantly more than inflation and the inflexibility of the subscription packages led libraries to cut expenditures for books and other materials. This year, Crawford published a revised and expanded report on the topic as the May/June volume of the ALA Library Technology Reports: “Big-Deal Serial Purchasing: Tracking the Damage,” in which he analyzes the “Academic Library Data Files” from the U.S. Department of Education’s National Center for Education Statistics.
While most academic librarians are familiar with the basics of copyright law, the questions they’re asked are getting more complex. Issues of fair use and open access, MOOCs and repositories, and the push to digitize mean that students and faculty need more guidance on copyright matters than ever. This spring Kyle K. Courtney, Harvard University’s Copyright Advisor, brought together a pilot group of librarians known as Copyright First Responders (CFRs) to address this situation.