Why does art in libraries matter? Erinn Batykefer of the Library as Incubator Project (and a 2014 LJ Mover & Shaker) cites public art’s role in promoting creativity. “Visible art in the library space, whether through gallery shows, public art or performance, or hands-on workshops, is incredibly important in terms of the ‘incubator library’—a space where the right conditions for creative thought and new ideas are protected and promoted,” she tells LJ. “It serves as a visible representation of the connection among information and creativity and innovation…making the library a visible place where creativity is valued and nurtured.” She adds, “Every library, stripped to its barest mission, seeks to connect people with information. Art is information—the product of a creative process and the process itself.”
The world of academic libraries is constantly changing. Many libraries, for example, have undergone radical spatial changes in recent years, positioning themselves as campus centers for study and socializing. These shifts focus on the student’s or library patron’s experience but show little concern for how librarians’ work spaces are changing to meet the profession’s new demands. Finding minimal literature on this topic, we decided to issue a survey directly to academic librarians to delve into their roles and how their spaces affect the quality of their work.
The Michelle Obama Neighborhood Library topped off in Long Beach, CA; the J.L. Robertson Branch, Rapides Parish Library, LA, reopened; Virginia Commonwealth University remodeled the James Branch Cabell Library; and more new construction and renovation news from the May 1, 2016 issue of Library Journal.
The new Canal Winchester Branch of the Columbus Metropolitan Library, OH, opened; the Richland Library, Columbia, SC, is about to embark on a major construction project; and more new construction and renovation news from the March 1, 2016 issue of Library Journal.
On February 11, the Massachusetts Institute of Technology (MIT) hosted a discussion on “The Future of the Library” as part of the Eugene McDermott Award in the Arts at MIT. The award is given to a prominent artist in any field who embodies MIT’s commitment to risk-taking, problem solving, and connecting creative minds across disciplines.
The Andrew W. Mellon Foundation has issued a $1.2 million grant to remake the Harold F. Johnson Library at Hampshire College, Amherst, MA, as a Knowledge Commons—an integrated, centralized hub of content, tools, and academic support services. While the library’s transformation over the next four years looks to a brand new service model, it also continues the tradition of innovation on which the library was established some 50 years ago.
The $2 million renovation of the Carnegie Library Learning Center on the Health Sciences Campus of the University of Georgia, Athens, is now complete. Funded through donations from the Tull Charitable Foundation and the Callaway Foundation, the work on the 1910 Beaux Arts building returned some of the original features to the facility and includes […]
The maker movement and 3-D printing technology catalyze innovation and promote entrepreneurship by emphasizing “making” over “consuming” and facilitate experiential learning and rapid prototyping. To many, library Maker spaces are also often the only facility within their reach that offers open access to 3-D printing and scanning equipment. For these reasons, creating a Maker space for patrons is often an attractive project.
The North Miami Public Library completed its $1.5 million renovation, ground was broken for the new South Central Regional Library, Louisville Free Public Library (LFPL), KY, and more new construction and renovation news from the December 2015 issue of Library Journal.