By Edith Falk, library school lecturer, academic library consultant, and former chief librarian of the Hebrew University of Jerusalem. After the massive replacement of print journals by ejournals and the introduction of packages that included the whole range of journals from select publishers (now known as the Big Deal), the age of e-books dawned on […]
Collection development, the process of gathering and maintaining information resources for libraries has become increasingly complex, with libraries continuing to consider their blend of print volumes to e-books under shrinking budgets and a growing number of acquisition models. Luke Swindler, collection management officer for the University of North Carolina Library, sees collection development at University libraries going in one direction.
“We are all walking stories, so it’s vital that as librarians, we learn the art of listening to story…” says Irvin, an assistant professor in the library and information science program at the University of Hawai’i at Manoa. “[We need to be] willing to share our own stories so that we best relate to patrons, communities, and stakeholders.”
The Jerome Robbins Dance Division of the New York Public Library for the Performing Arts (LPA) is home to the archives and papers of such dance notables as Mikhail Baryshnikov, Isadora Duncan, and Merce Cunningham. In October, LPA acquired its first hip-hop collection with the archives of Michael Holman, New York dance impresario, filmmaker, musician, journalist, and television producer.
Formats proliferate while budgets fluctuate. Patrons want access to public library materials but may never physically enter a library building. Collection development librarians work to ensure that their holdings include the items patrons want at the time they require access. We talked to collection development professionals nationwide to discover their best practices for selecting and maintaining print and electronic materials.
As a content workflow consultant, it’s Sharon Palchak’s job to keep turnaways—not being allowed access to an ebook—to a minimum. One way in which she’s able to do this is to help libraries set up their demand-driven acquisition (DDA) program. Although it’s often used in conjunction with other acquisition models, like subscriptions and firm orders, DDA […]
Like many library collections, the one million ebooks in Grand Valley State University Library’s digital stacks originates from multiple vendors (more than 30)—and every one has their different take on digital rights management. “That’s one thing we really struggle with—particularly with ebooks,” says Jeffrey Daniels, Grand Valley State’s interim associate dean of technology and information […]
Most libraries that adopt floating collections expect circulation to rise because collections will be better distributed to meet patron demand. Yet how many have analyzed whether collections perform better after implementing floating than they did before materials were relocated? The Nashville Public Library undertook an experiment in floating with optimism. Did the results pay off? Here is how it all began.