It helps leaders to harness their own creative potential, but they should also pay attention to creating the right culture and environment that leads to a creative library organization as a whole.
I wrote this in a small library in the town of Kyneton, Australia. As many library fans do, I visit libraries wherever I go—stopping in for a look-see, lingering to use the space and services, and sometimes getting a full tour. It’s always valuable—and often inspiring. This was the case when I recently visited Australia on a family trip, and I experienced a handful of libraries small and large along the way.
A call for academic RA research, the unchanging lack of inclusion, and more letters to editor from the August 2016 issue of Library Journal.
The Utah Library Association (ULA) dove headfirst into failure on February 19–20. Along with the Salt Lake City Public Library (SLCPL), ULA hosted Strikethrough: The Utah Library Association Failure Workshop. Billed as an interdisciplinary discussion of failure for librarians, it brought together librarians, medical doctors, and performance artists.
The Difference between Copyright Infringement and Plagiarism—and Why It Matters | Peer to Peer Review
On Leap Day this past February, I gave myself the gift of a Citi Bike membership. In New York City, where Library Journal’s office is located, this bike-sharing service hit the streets in 2013 and has continued to gain traction ever since. Like many, it has had growing pains, but it now touts over 100,000 annual members, and this summer it celebrated a record of 56,000 trips in one day. I ride for part of my commute, replacing what would be an underground subway leg with three-plus miles on the surface. This has given New York back to me, reinvigorating my relationship with the city and allowing me to witness its changeable beauty.