The president surprised many people when he added his comments to the 4 million submitted to the Federal Communications Commission (FCC) about whether and how the government should set rules that will shape the future of the Internet. What was surprising was that Obama came out with a short but quite pointed outline of what many of us feel would be exactly the right moves to take. Citizens of all political persuasions have strong feeling about the value of keeping the Internet open. How exactly to do that is what’s tricky. Because simplistic metaphors, such as asking whether Internet access is more like cable TV or like electricity, as a recent New York Times article put it, don’t really work, I thought I’d try and untangle what exactly is under debate.
Peer to Peer Review
Regular LJ Academic Newswire column rotation including Barbara Fister, Dorothea Salo, Wayne Bivens-Tatum, Kevin L. Smith, and Rick Anderson.
The word “incentive” appears ten times in the ruling issued last month by the Eleventh Circuit Court of Appeals in the Georgia State University (GSU) copyright infringement case, but it is slightly unclear in this rather odd opinion just who is the object of the incentive created by copyright. In seven of those ten instances, the incentive is clearly intended to benefit the author. But there are three sentences at the very end of the majority opinion (the other three uses of the word) where the court seems to interrupt its analysis to state that the incentive belongs to publishers, not authors. It is, I think, worth parsing this apparent contradiction in order to guess at how the trial court might think about incentives on remand.
Once, toward the start of my librarian career, I set three different alarms so I wouldn’t miss an early-morning conference keynote. I sense I should be embarrassed by this, as keynotes and keynoters are now spoken of with the genteelly horrified disdain Wodehousian elders reserved for unmarried chorines, but it’s still true, and I am not ashamed.
My last column addressed some of the tensions that underlie the idea of “not letting the perfect be the enemy of the good” in library leadership, and at the end I promised that my next would deal in a similar way with trying to balance the occasional tension between problems that are truly important and those that are merely “noisy.” However, an issue has come up in the meantime that is more timely and urgent, so I’m putting off the “noisy vs. important” column until next time. This month I want to address the issue of patron privacy in the context of the recent revelations about privacy incursions in the latest version of Adobe Digital Editions.
I participated in a series of meetings last week to determine how the Duke Libraries would respond to the bankruptcy filing made by subscription agent Swets. We have been through this before, when Faxon/RoweCom failed, and many libraries lost a lot of money. Unfortunately, more money is going to be lost this time around. Perhaps it is time for us to think about how we got into this situation——and how to make sure we never end up back here again.
I’ve run into a few problems with library ebooks lately that have made me even more skeptical of them as complete replacements for print books in libraries. Since skeptics of library ebooks are sometimes considered luddites or reactionaries, I should go ahead and add the disclaimer that I really like ebooks that I don’t acquire from the library. I did a quick calculation of the books I’ve read since mid-January and of those 33 books, 27 were ebooks. Some of them were several hundred pages long, but reading them on a good ereader was generally a pleasant experience.
I found myself drawn into odd conversations with librarians, archivists, and other information professionals soon after I started teaching library school. Not the conversations about how terrible I am and how bad I am at what I do and how whatever I’m doing in the classroom is automatically the wrong thing—those conversations are standard, and I am as inured to that angry dismissiveness as anyone can be. No, the odd conversations I landed in over and over again went something like this:
We’ve all heard—and many of us have probably invoked ourselves—the admonition “don’t let the perfect be the enemy of the good.” It’s a concept that has kind of a fraught history in library discourse, because it embodies a tension that exists between two conflicting aspects of library culture: on the one hand, we place a lot of value on accuracy, completeness, and quality in the work that we do; on the other hand, we are painfully aware of the limited resources we have to work with.