The Andrew W. Mellon Foundation and the U.K.-based nonprofit Digital Preservation Coalition (DPC) in November 2016 announced the formation of a Task Force on Technical Approaches for Email Archives.
Last month, Yale University hosted “Terror on Tape: An Interdisciplinary Symposium on the History of Horror on Video.” Cheap slasher flicks from a bygone era may seem a bit lowbrow for the Ivy League, but David Gary, Yale’s Kaplanoff Librarian for American History, writing for the Atlantic last summer, made a compelling case for the university’s collection of 3,000 VHS horror movies from the 1970s and 1980s.
Following a months-long analysis by an exploratory committee, the boards of not-for-profit, open-source digitization and repository software and service providers LYRASIS and DuraSpace on January 27 unanimously approved an “Intent to Merge” agreement. The two organizations have begun seeking input from their respective members as well as the wider research, library, archives, and museum communities, as part of a due diligence process that will “determine the feasibility of a combined organization…. [and] include a deeper assessment of the individual organizations and how they might partner effectively.
A recent study commissioned by the Library of Congress found that, of the more than 11,000 silent films produced by American movie studios between 1912 and 1929, just 14 percent (1,575) survive today in their original domestic release. Another 11 percent are still technically complete, according to the study conducted by film archivist David Pierce, but only in imperfect formats. Some are repatriated foreign release versions that lack the original English subtitles and may have been edited to appeal to foreign audiences, which Pierce compares to imperfect retranslations of novels, where the story remains the same, but nuances may be lost. Others may be preserved on smaller format, 16 or 28 mm film stock, which can negatively impact image quality.
Jennifer Vinopal is the Librarian for Digital Scholarship Initiatives at New York University, where she helps scholars bring their work online for preservation, curation, and more and more frequently, collaboration. She talked with Library Journal about how the face of digital scholarship is changing, what role librarians play in that change, and how the partnerships between researchers and librarians are growing closer in the new research landscape.
Low Maintenance, High Value: How Binghamton University Libraries Used Digital Preservation to Increase its Value on Campus
Ex Libris sponsors this webcast that explores end-to-end Digital Preservation and the questions that come with it. Edward Corrado, Director of Library Technology, Binghamton University Libraries (NY), talks about his experience with Binghamton University’s libraries.
Archive now available!
Amid budget woes, vendors and librarians find a common purpose Picture medieval monks hunched over their desks in the scriptorium as they labor to copy manuscripts. A 21st-century version of this activity is being repeated daily in the world’s libraries and publishing houses as major digitization projects seek to preserve millions of printed books and […]