Launched yesterday, the Digital Public Library of America’s portal offers browsing and search access to a still growing aggregation of cultural heritage records from dozens of US cultural heritage institutions. At the same time, DPLA began offering programmatic access to its metadata stores, urging developers to create their own interfaces and access points to the collections. First impressions have been almost uniformly positive, though many have suggested avenues for further enhancements and refinements.
The question that has most frequently come up in the course of the two-year planning process for the Digital Public Library of America (DPLA) has been a very simple one: What is it?
Since April 2010, the planning initiative has taken the form of an extended, national design phase to plan out what we should build together. The emphasis of this process has been to solicit diverse views as to what the “it” should be that we are working toward.
In this article, the fourth installment in a series on the initiative to build a Digital Public Library of America, I examine the underlying role of law in the ebook lending debate, explore potential solutions to the problems, and consider how the DPLA can contribute to solutions for those we serve. At the core of this issue is the way the copyright law works–or doesn’t–when it comes to books, libraries, and readers in the United States today and into the future.
Innovative Interfaces Inc. today announced a new development initiative that will integrate access to the Digital Public Library of America (DPLA) into its Encore Synergy platform. Separately, the company announced today that its Decision Center collection management solution has been implemented at several public and academic libraries, including Jefferson County Public Library (CO), Tulsa City-County Library (OK), and University of Nebraska, Lincoln.
One of the concerns expressed about the planning initiative to create a Digital Public Library of America (DPLA) is that its very existence might threaten public libraries. While I credit this fear—no outcome to this initiative could be worse—the DPLA is designed to do precisely the opposite: to establish a platform and resources that will help libraries and other cultural heritage institutions, both public and private, to succeed in a digital era.
The Digital Public Library of America (DPLA) and Europeana today announced the official launch of Leaving Europe: A new life in America, a jointly curated virtual exhibition that tells the story of European emigration to the United States during the 19th and 20th centuries. The exhibition includes digitized photographs, manuscripts, broadsheets, paintings, letters, audio, government documents, and other materials from U.S. and European libraries, museums, and archives, curated to describe the experiences faced by different groups emigrating from Europe to the United States.
Above the front doors of the Boston Public Library (BPL) appear the words: “Free to all.” The BPL will host a celebration in April 2013 to launch, officially, a project that is based upon these same three words. The Digital Public Library of America (DPLA) is an ambitious, broad-based effort to establish a new library platform for our digitally-mediated age.
From a DPLA Announcement: The Digital Public Library of America (DPLA) Steering Committee is pleased to announce the appointment of five members to the inaugural DPLA Board of Directors. The inaugural Board will support the DPLA’s goal of creating and maintaining a free, open, and sustainable national digital library resource. The inaugural DPLA Board is [...]
The National Endowment for the Humanities (NEH) awarded $1 million to fund the creation of the infrastructure for the Digital Public Library of America (DPLA) last week, and the organization will now turn its focus toward developing a way to search across the many disparate collections involved with the project.