Library Journal’s 2013 Day of Dialog ended with a table lined with familiar faces: Amy Tan, with her first novel for adults since 2005′s Saving Fish from Drowning; Richard North Patterson, with a work narrated by a 22-year-old woman; Allan Gurganus, with his first book in 16 years; prolific critic Caleb Crain, with his first ever novel (though second book); Al Lamanda, with Sunrise (Gale Cengage, Aug.), the follow up to his Edgar-nominated Sunset; and of course Library Journal‘s own Barbara Hoffert as moderator.
Library Journal’s sold-out 16th annual Day of Dialog, held May 29 at the McGraw-Hill Auditorium, got off to a rousing start with the perennially popular Editors’ Picks panel. Five top editors from leading publishing houses shared their summer, fall, and winter favorites with an enthusiastic and packed audience of librarians eager to identify titles to [...]
China and India, the two most populous countries in the world, share a border, have growing economies in common, and each has a centuries-old literary tradition of its own. Similarly, both countries have robust publishing industries, but despite a tremendous number of books published and sold annually, relatively few of those titles make it to the American market. In 2012, in what Paper Republic, a resource about Chinese literature in translation, called “a good year,” about 20 titles were translated, and the majority of those were not published in the United States. Indian fiction, especially that written in English, fares slightly better.
Just about the time the Pulitzer board announced on April 16 that it wasn’t anointing a fiction prize winner this year, the National Book Foundation came out with its guidelines and list of judges for the 2012 National Book Awards (NBAs). You might think publishers would be wary of forking over another entry fee (the Pulitzer processing fee is $50; the NBAs, $125), especially with all the grousing that goes on among the major trade houses when their titles are shut out by small presses, who in turn grouse that the big houses get more than their share of the nominees. But the NBAs have one major advantage over the Pulitzers: they are selected by writers, not journalists. As for the National Book Critics Circle awards, they are chosen by book critics and review editors—and there is no entry fee for submissions. (LJ‘s Barbara Hoffert is VP in charge of the awards, and LJ‘s review editors are members.)